Response has 75 ratings and 4 reviews: Published October 1st by Sun and Moon Press, 97 pages, Paperback. Response (New American Poetry) [Juliana Spahr] on *FREE* shipping on qualifying offers. Response is a gathering of five works which together. I also began to wonder how Juliana Spahr would answer some of the poems in your book do not appear to invite a reader to respond in the same way.

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Juliana Spahr – Wikipedia

Paperback97 pages. It has a cute red stripe down reponse side and a little wolf on the front. And I wanted to talk about these moments as having a party feel, a fun. What is bothersome, as Steve Evans pointed out to me the other day, is that we keep putting poetry on fesponse margins, at the dark end of the street, on stakes to reference three recent titles.

That said, I think Rimbaud writes a great crowd poetics. I want to argue that poetic forms are central to our culture and to our considerations of the ethical possibilities of a work.


Juliana Spahr

She coedits the international arts journal “Chain” with Jena Osman. This is partially necessary because language writing is so diverse.

Probably these categories are too cartoonish.

Does this summation seem correct to you? Why choose to foreground legibility when you do?

Just as a Henry James novel demands a different sort of attention than a piece by Gertrude Stein, so a Ron Silliman new sentence requires a very different sort of attention than a Susan Howe page.

But it is equally and simultaneously possible to regard the works as themselves incitements to response. And that is Non-Revolution: A non-violent declaration or occupation?

Juliana Spahr is a poet, critic, and editor.

Interview with Juliana Spahr

Response New American poetry series The National poetry series. I Did Not Come to Conquer: Refresh and try again. In the last section characters exchange texts of I love you as cars burn. She currently lives in Hawaii. Please respect the fact that this material is copyright.

Just for this reason alone I want a more detailed discussion of what might make the poem a failure. Return to Book Page. And at the same time I wanted to say that is ok.


Response by Juliana Spahr

I guess, when it comes down to it, I want to see the form as central, not marginal. This material break is presented as very clear: As Perelman notes here, “language writing is best understood as a group phenomenon, and that it is one whose primary tendency is to do away with the reader as a separable category.

Biography of a Place August 3, Is it useful to think of Statement of Facts as a representation of the crowd from the perspective of the law, aka the cop? No trivia or quizzes yet.

This paper is taken from the Vol. Want to Read saving….

But as I understand it: Pam rated it liked it Jan 08,